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Review: J. Cole's 2014 Forest Hills Drive

  • Glennisha Morgan
  • Dec 16, 2014
  • 2 min read

J. Cole has come a long way from rapping about how to get up off the sideline. Three albums in, with 2014 Forest Hills Drive, the “God” is home. The Fayetteville, North Carolina native composed an honest, nostalgic album without any apologies. Cole typically plays it safe, straddling the fence of a conscious rapper who can still create commercial hits and enjoy a good romp in the bed. “For the past four-five years of my career, I’ve always been very politically correct, riding that line. But at the end of the day, I realize I’m doing myself a disservice and I’m doing people a disservice because I could say one thing. If I’m speaking my mind and saying how I truly feel, I might say one thing that connects the dots for somebody, that might have been the right connection that was needed,” he directly admits during a recent interview with Angie Martinez.

The 13-track, featureless album opens up with “Intro,” an inquisitive song about liberation. A raspy-sounding Cole sings, “Do you wanna, do you wanna be, happy?” over a melancholy piano beat. His voice escalates as the track progresses and Cole begins to rap about getting free. When Cole asks, “Do you wanna be free?”, it’s as if he’s not only speaking to his listeners but speaking to himself, conscious of the fact that 2014 Forest Hills Drive is his most personal and poignant release.

“What’s the price for a black man life?/I check the toe tag/Not one zero in sight/I turned the TV on/Not one hero in sight/Unless he dribble or he fiddle with mics,” he spits on “January 28th” before paying homage to his predecessors like Rakim, Big Daddy Kane and Slick Rick (only to follow up the recognition with a proclamation that he’s the rap God and they’re not). The Grammy-nominated artist then moves on to a "dear diary"-type revelation of losing his virginity on “Wet Dreamz.” Cole continues to showcase the growth of his vulnerability and storytelling skills on “03 Adolescence,” an apologetic reference to admiring a drug-dealing friend, who looked up to a college-bound Cole. “He just laughed when he seen I was sure/17 years breathing, his demeanor said more/He told me/Nigga you know how you sound right now/You are my mans/I would think you that you a clown right now/Listen, you’re everything I wanna be that’s why I fucks with you/So how you looking up to me? When I look up to you/You bout to go get a degree I’mma be stuck with two choices,” he raps.

Read the rest over at Hot New Hip Hop.

 
 
 

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