Classic Rotation: Juvenile's 400 Degreez
- Glennisha Morgan
- Nov 4, 2014
- 3 min read
Juvenile’s 400 Degreez was released in 1998, 16 years ago today. Solely produced by Mannie Fresh, it was Juvenile’s third studio album and first album released on a major label. 400 Degreez was the follow up to the NOLA artist’s previous 1997 release, Solja Rags. Certified 4x Platinum by the RIAA, this album is what solidified Cash Money Records as a force to bereckoned with and catapulted Juvenile on top as a mainstream contender.
Previous to the release of the highly reviewed album, Cash Money Records had acquired a great distribution deal with Universal Records. The label ran by Bryan “Birdman/Baby” Williams and Ronald “Slim” Williams signed a $30 million distribution and pressing contract with a $3 million advance. While a $3 million advance was gravy, the rights to royalties and publishing was even better. Cash Money was entitled to 85% of its royalties, 50% of its publishing revenues and full ownership of all masters. At the time, this was uncommon.
In fact, 1998 was a very interesting year for hip hop. It was two years after Tupac was murdered and a year after the death of Biggie Smalls. Hip-hop no longer physically had two of its most prolific emcees, leaving room for other artists to shine. Unlike any other year, Southern rappers dominated the charts just as much as artists from the East Coast did. Silkk The Shocker, Scarface, C-Murder, Fiend, Kane andMaster P had all topped the Billboard chartsalongside The Lox, Lauryn Hill, Capadonna, Gang Starr, Big Pun, Jay-Z, 2Pac and a few others. Specifically, No Limit Records, Cash Money’s direct competition tyrannized the charts.
No Limit had been known to offer a piece of the New Orleans’ sound, but Cash Money signified Louisiana hip hop and specifically infused its jazz and bounce origin, thanks to in-house producer Mannie Fresh. The intro on 400 Degreez was a specific example. You could hear Mannie Fresh narrate the introduction of “Juve” from “the Magnolia” over a consecutive jazz track. The album’s lead single, “Ha,” which has since sold over 2,300,000 copies, was a comical inquisitive song, where Juvenile ended all of his lines with “Ha?” Juvenile’s previous album’s title track, “Solja Rags” was sampled in the song. When released, it peaked at number 13 on the Billboard Hot R&B/Hip-Hop Singles & Tracks chart and number 18 on the Billboard Hot 100. The album included two remix versions of “Ha.” The first remix featured Juve’s fellow Hot Boys members B.G., Lil Wayne and Turk. The second one featured Brooklyn’s Jay-Z, who was the only artist outside of Cash Money Records to make an appearance on the album. D.O.P.E paid homage to Juvenile and “Ha” by sampling the track on their 2012 release, “Block Blazer,” which features T.I. Saigon sampled the track as well in 2009 on “Lady Sings the Blues.”
The second single on the album was “Back That Azz Up” or the radio version, “Back That Thang Up,” which was a modern day tribute to the derriere that featured Mannie Fresh and Lil Wayne. The track served as an unofficial twerk anthem before twerking became the phenomena it is today. In 1999, the popular song topped the U.S. Billboard Hot Rap Singles chart at number one. It peaked at number four on the U.S. Billboard Hot R&B/Hip-Hop Singles & Tracks chart and at number 15 on the U.S. Billboard Hot 100. The song was so hot the Weezy sampled it on his 1999 track, “Drop It Like It’s Hot” and Drake reminded us of that when he did the same in 2011 on “Practice” from his Take Care album.
Read the rest at Hot New Hip Hop.
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